Anthony Roth Costanzo

Countertenor Anthony Roth Costanzo began performing professionally at the age of 11 and has since appeared in opera, concert, recital, film, and on Broadway.
 
Among his engagements in the upcoming season, Costanzo sings the title role in Giulio Cesare with Houston Grand Opera, stars in staged performances of Pergolesi’s Stabat Mater at Lincoln Center’s White Light Festival, returns to Opera Philadelphia for Written on Skin, and sings the title role in Orfeo ed Euridice at Florida Grand Opera and appears in concert with Les Violons du Roy at the Festival d’Opéra de Québec. This season, he appeared with both the London Symphony Orchestra and the Berlin Philharmonic as Prince Go-Go in performances of Le Grand Macabre, conducted by Sir Simon Rattle and directed by Peter Sellars. He also debuted at the Los Angeles Opera as the title role in Phillip Glass's Ahknaten, at the Finnish National Opera in Kaija Saariaho's Only the Sound Remains, and at the San Francisco Symphony Orchestra in performances of Messiah. He sang the title role in Farnace at the Spoleto Festival USA, performed in concert with Nico Muhly at the Gardner Museum in Boston, curated a live and broadcast series of events called The Opera Party for WQXR / the Greene Space, and produced and stared in his critically acclaimed show, Orphic Moments, at the Landestheater in Salzburg. 

Costanzo has appeared at the Metropolitan Opera as both Ferdinand and Prospero in the world premiere of The Enchanted Island, as well as Prince Orlofsky in a new production of Die Fledermaus after making his debut as Unulfo in Rodelinda. He made his European debut at the Glyndebourne Festival in Rinaldo and has since appeared at the English National Opera in Ahknaten and The Indian Queen. He has also appeared in recent seasons with San Francisco Opera, Lyric Opera of Chicago, Teatro Real Madrid, Dallas Opera, The Glimmerglass Festival, Canadian Opera Company, Opera Philadelphia, San Diego Opera, Boston Lyric Opera, Michigan Opera Theater, Palm Beach Opera, The North Carolina Opera, and as a guest with Juilliard Opera.

In concert, Costanzo performed in the New York Philharmonic’s acclaimed production of Le Grand Macabre, and sang Handel's Messiah with The Cleveland Orchestra and at Carnegie Hall. He has also appeared in concert with the International Contemporary Ensemble (ICE) at both the Mostly Mozart Festival and the Metropolitan Museum of Art; with Jordi Savall in Barcelona, Paris, and Versailles; and with Ian Bostrdige and Julius Drake at the Teatro Real. In addition, he has been a featured soloist with the orchestras of Detroit, Denver, Seattle, Indianapolis, Alabama, and with the National Symphony Orchestra at the Kennedy Center. He has also been presented in recital in Vancouver, Princeton University Concerts, Duke Performances, and at the Morgan Library in New York. 

A champion of new work, Costanzo recently created roles in the world premieres of Jimmy Lopez's Bel Canto at the Lyric Opera of Chicago and Jake Heggie's Great Scott at the Dallas Opera. He has also premiered works written for him by Matthew Aucoin, Paola Prestini, Gregory Spears, Suzanne Farrin, Bernard Rands, Scott Wheeler, Mohammed Fairouz, and Steve Mackey. In the spring of 2017 he will premiere a new work by Nico Muhly in New York.

Costanzo is passionate about interdisciplinary collaboration, and recently helped create two unique presentations of The Tales of Genji with sold-out runs in Kyoto that incorporated traditional Kabuki, Noh actors, dancers and western music. He also created a pasticcio about castrati in collaboration with choreographer Karole Armitage and filmmaker James Ivory which was chronicled by the documentarian Gerardo Puglia. The subsequent film was selected for the Cannes Film Festival and aired on PBS affiliates. Costanzo played Francis in the Merchant Ivory film, A Soldier’s Daughter Never Cries, for which he was nominated for an Independent Spirit Award, and Simon in Brice Cauvin’s De particulier a particulier. Working with composers, choreographers, directors and performance artists, he has appeared in New York venues such as National Sawdust, where he is a curator, and at Le Poisson Rouge, The Metropolitan Museum of Art, Joe’s Pub, The Park Avenue Armory, and The Guggenheim Museum.

In 2012, Costanzo won first place in Placido Domingo’s international competition Operalia. He is also a 2009 Grand Finals Winner of the Metropolitan Opera National Council Auditions. He won a George London Award, received a career grant from the Richard Tucker Foundation, and became the first countertenor to win First Place in the Houston Grand Opera Eleanor McCullom competition, where he also won the audience choice prize. He received a Sullivan Foundation Award, and won First Place in the Opera Index Competition, the National Opera Association Vocal Competition, and the Jensen Foundation Competition.

Costanzo graduated Magna Cum Laude and Phi Beta Kappa from Princeton University where he was awarded the Lewis Sudler Prize for extraordinary achievement in the arts, and where he has returned to teach both a course and master classes. He received his Masters of Music at Manhattan School of Music and won the Hugh Ross Award for a singer of unusual promise. In his youth, he performed on Broadway and in Broadway National Tours including A Christmas Carol, The Sound of Music, and Falsettos. He began his operatic endeavors playing Miles in The Turn of the Screw, and with an appearance alongside Luciano Pavarotti.